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The blog of from the people at Zelig Sound. Music and sound related things, and other stuff

Tool teaser 2014 from komba on Vimeo.

log line:
Year 2347. The source of life has been stolen from Earth. Faithful federal agent is trying to take mission of saving life on Earth under control, when he discovers that colonel that’s leading the operation wants to destroy the most part of humanity.

All the content I made myself . Approximately 4 months of pure time that has stretched for a year.
vimeo.com/91790503 making of…

For more information please visit my site thetoolmovie.com/

kombafx@gmail.com

Wilko 60’ TVC: Keeping Up With The Rodgers from Zelig Sound: Composition & Sound on Vimeo.

We were delighted to score the first ever Wilko TV commercial. Working closely with Zak Emerson and the TBWA team we produced a score to push and underpin the epic sea-going pirate pillage. Huge hits, choirs, dirty low brass and bass.

Score Composed by: Aleah Morrison & Matthew Wilcock twitter.com/matthewwilcock
Produced / mixed by: Matthew Wilcock at Zelig Sound
Sound Design / Dub: Zelig Sound / twitter.com/zeligsound

Clients: Lisa Wilkinson, Fiona Gunn, Freda Cronk, Barry Underdown, Maria Tamburrini.
Writer: Zoe Harris
Art director: Ant Harris
Joint executive creative directors: Gary Fawcett & Lisa Nichols
Account director: Mark Bostock
Account manager: Emma Cochrane
Planner: Lorna Hawtin
Agency TV producer: Lou Vasey
Director: Zak Emerson
Producer: Ewen Brown
Production company: Blink
Post-production: Dan Sanders MPC
Editor: Joe Guest @ Final Cut

Wilko 60’ TVC: Keeping Up With The Rodgers from Zelig Sound: Composition & Sound on Vimeo.

We were delighted to score the first ever Wilko TV commercial. Working closely with Zak Emerson and the TBWA team we produced a score to push and underpin the epic sea-going pirate pillage. Huge hits, choirs, dirty low brass and bass.

Score Composed by: Aleah Morrison & Matthew Wilcock twitter.com/matthewwilcock
Produced / mixed by: Matthew Wilcock at Zelig Sound
Sound Design / Dub: Zelig Sound / twitter.com/zeligsound

Clients: Lisa Wilkinson, Fiona Gunn, Freda Cronk, Barry Underdown, Maria Tamburrini.
Writer: Zoe Harris
Art director: Ant Harris
Joint executive creative directors: Gary Fawcett & Lisa Nichols
Account director: Mark Bostock
Account manager: Emma Cochrane
Planner: Lorna Hawtin
Agency TV producer: Lou Vasey
Director: Zak Emerson
Producer: Ewen Brown
Production company: Blink
Post-production: Dan Sanders MPC
Editor: Joe Guest @ Final Cut

DynaCart Testing Lab from rich nosworthy on Vimeo.

Short experiment with the buggy testing center, all driven by cinema4d dynamics. Sound design by Sonosanctus

Full track can be found here thebuffalo.bandcamp.com/album/iris-daybreak

generatormotion.com
sono-sanctus.com/

updated oyoo

(Source: Spotify)

Slit-dolly-scan from dunun on Vimeo.

Gif : j.mp/Slitdollyscan

Dolly zoom + slit scan combo,
Music : distorted “Gentiment Je T’immole” by Mai Lan,
Photo : Micaël Reynaud

Milton Glaser in conversation with Steve Heller from OFFSET on Vimeo.

The man behind the the I Heart NY logo, the Brooklyn Larger identity, that iconic Dylan image, a founder of the revolutionary Pushpin studio and the author of several books about how to think creatively, Milton Glaser is the quintessential American designer. Irreverent, intellectual and self assured, Glaser’s work has helped define and redefine design from the 50s on. You’ve worn the T-Shirt, drank the beer, listened to the bands, read the books – now watch this exclusive interview filmed in his studio by author and friend of OFFSET Steve Heller.

CREDITS
***********************************************

Filmed & edited by Areaman Productions
areaman.tv

Titles by Steve MacD
vimeo.com/macd

Music by Gerry Horan
gerryhoran.com/

Produced for OFFSET by Lisa Haran

***********************************************

Originally screened at OFFSET2014
iloveoffset.com

Europe In 8 Bits - Opening Titles from Device on Vimeo.

Opening titles for Europe In 8 Bits documentary.
Direction, Design, Animation & Music: Device

EUROPE IN 8 BITS is a documentary directed by Javier Polo that explores the world of chip music, a new musical trend that is growing exponentially throughout Europe. The stars of this musical movement reveal to us how to reuse old videogames hardware like Nintendo’s GameBoy, NES, Atari ST, Amiga and the Commodore 64 to turn them into a tool capable of creating a new sound, a modern tempo and an innovative musical style. This is a new way of interpreting music performed by a great many artists who show their skills in turning these “limited” machines designed for leisure in the 80’s into surprising musical instruments and graphical tools. It will leave nobody indifferent.

Watch the documentary: vimeo.com/ondemand/europein8bits

europein8bits.com

_______________________________________________________________________________________________________

Visit us:
devicers.com
Join us:
facebook.com/devicers
Follow us:
twitter.com/devicers

Construct GTC Teaser from Kevin Margo on Vimeo.

CONSTRUCT is a Sci-Fi short film advancing the art of filmmaking, VFX and virtual production.

This teaser was presented as part of a tech demo at Nvidia’s GTC conference March 25, 2014. This is a work in progress intended to illustrate recent advancements in graphics hardware and software capabilities.

CONSTRUCT in its entirety is coming soon…

For more info:
constructfilm.com/
facebook.com/constructfilm
twitter.com/MargoKevin
kevinmargo.com

Nervo Style 1 / Live Tour Visuals from FutureDeluxe on Vimeo.

A sample animation from a set of live tour visuals created for Nervo

Creative Director - Andrew Jones
CGI & Animation - Jason Drew
Post Production - Jason Drew
Edit - Jason Drew & Andrew Jones
Sound Design - Zelig Sound

Created by FutureDeluxe / futuredeluxe.co.uk /
Twitter / twitter.com/futuredeluxe
Facebook / facebook.com/pages/Future-Deluxe/183007228394786

Playlist update!! There’s some secret shit in there too. See if you can find it.

(Source: Spotify)

Spherikal from Ion on Vimeo.

This is a small animation i did as an exercise to experiment and explore all the graphical possibilities of representing the idea of the SPHERE, always thinking in searching Gestalt and form. Its all done in 3d, but i was more interested in the graphical interest, flatten the surfaces, and only two colors, why more.The most difficult was to achieve the transitions between the different type of representation of the sphere, the morphing and metamorphosing.

For the description of the project, all these frames plus the frames from the scenes that weren’t included, visit - behance.net/gallery/Spherikal/3565597

It was all done in Cinema 4d R13, all with the Mograph module. Comositing and post in After Effects

Sound : Brand X Music

Displaced from Ion on Vimeo.

This is my new personal project, a typographic experiment named Displaced.
Displaced, is a project where i start from a simple form, a square, to the dissect it and displace the resulting parts in such a method, that when combine the positive and negative spaces, letter forms are been formed.
Its a project that combines typography, motion graphics, graphic design and illustration, all that been made in Cinema 4D.

This is just the animation intro for the project, to see all the letters, separately in a Gif animation, and the word and color compositions, visit the project at Behance - behance.net/gallery/Displaced/10878401

Music by Clark Rhee - clarkrhee.com

RedBull - Transforming Formula1 from Aixsponza on Vimeo.

We’re back on track with Formula1. Heck Yeah!

Working in the proven relationship with Peter Clausen Filmproduktion we created yet another animation for Infiniti RedBull Racing. Introducing Vettels new colleague Daniel Ricciardo we take a closer look at the inner workings of the race car. Animating our way through all the rule changes of the 2014 season the whole thing is converted from last years RB9 to the state of the art RB10 racing car.

Credits:
———————————-
Client: Red Bull Media House
Production Company & Agency: Peter Clausen Film & TV Produktions GmbH
Director & Producer: Peter Clausen
Line Producer: Cecilia Trück
Voice-Over: Sebastian Vettel & Daniel Ricciardo VFX Director / Editing: Christian Tyroller
VFX Supervisor / CD: Manuel Casasola Merkle
Head of 3D Production: Matthias Zabiegly
3D Artists: Leonhard Akinbiyi, Elisabeth Schlichtner, Jens Kindler, Michael Haupt, Jörg Vogel, Sven Mai, Holger Aumüller, Christian Freisleder, Lars Korb, Stefan Voigt, Holger Biebrach, Simon Fiedler, Patrick Hecht
Junior 3D Artist: Thilo Seifert
Animators: Philipp Strasser, Christian Scheck, Christian Lachenschmidt
FX: Fuat Yüksel
Supervisor Car Asset: Holger Aumüller
Shading Artist: Raphael Rau
CAD & Modeling: Christian Förg, Maruan Attia, Markus Sick
Rigging: Jörg Vogel
Tracking: Johannes Weiss
Rotoscope: Manuel Voss
Compositing: Alexander Gabrysch, Tobias Müller
Producer Animation Studio: Julian Fischer Production Assistant: Jessica Lorenz
DP: Philipp Geigel
1st Asst Camera: Hendrik Jansen
2nd Asst Camera: Stefan Betz
Key Grip: Clemens Bachmann
Grip Asst: Chrissi Heinrich
Gaffer: Jürgen Thiele
Electricians: Christian Weber, Christof v. Barany
Special Constructions: Henrik Scheib
Make-Up Artist: Sabine Gludovacz
Stand-In Rehearsals: Adrian Lobo
Sound Recording, Design & Mixes: Heiko Müller
Music Composer: Andrej Melita
Dubbing Voice Daniel: Beni Weber

Titanfall intro sequence from Spov Design + Moving Image on Vimeo.

Opening movie for Respawn/EA’s new Xbox One game, Titanfall.

This cinematic sequence details humankind’s escape to the stars, using footage of space travel, before utilising Spov’s CG and animation skills to visualise Titanfall’s game world - one where ships and people have travelled to the farthest reaches of the universe.

Influenced by footage from NASA’s Cassini mission to Saturn, and particularly an edit by Chris Abbas , the sequence blends the stark and minimal realism of space with the preparation of the massive Titan mechs for their planet fall.

Titanfall’s narrative exists in our universe at an indeterminate point in our future. Using a mix of archive materials, CG and VFX Spov have woven together the human and science-fiction elements to create a holistic storytelling piece.