Traditional time-lapses are constrained by the idea that there is a single universal clock. In the spirit of Einstein’s relativity theory, layer-lapses assign distinct clocks to any number of objects or regions in a scene. Each of these clocks may start at any point in time, and tick at any rate. The result is a visual time dilation effect known as layer-lapse.
To learn more about this project, my background, and my gear, please visit: kessleru.com/2014/10/what-drives-you
Motion Control: Kessler CineDrive kesslercrane.com
Hours Spent Shooting~ 100
Hours Spent Editing~ 350
# of Drafts/Iterations~800
Photos Taken~ 150,000
Avg # of Layers/clip ~35
Music: A big thanks to Alex Adair for making the song “Make Me Feel Better” and giving me permission to use it.
Programs: SpectraLayers Pro 2, Lightroom, After Effects, Photoshop, Excel, LRTimelapse, and Premier Pro
Cameras/lenses: Canon 6D, 7D, 16-35, 24-105, Tokina 11-16
Locations: Port of Boston, Hancock Tower, Memorial Drive, MIT Stata Center, Harborwalk, Wharf District Park, Chandler Plaza, Convention Center, North Point Park, State St., Boston Commons, Pier 4 (pier4boston.com/), Greenway, Customs Tower, Boston Harbor Hotel (bhh.com/), and Deer Island Park
Clips can be licensed and customized to other pieces of music, email me if you are interested: firstname.lastname@example.org
I’m aware of a couple photographers that have done similar work including Fong Qi Wei’s “Time in Motion” series which definitely influenced me, and Geoff Tompkinson’s “Chicago toccata & fugue”. If anyone is working on a similar style, please feel free to reach out to me, I’d love to exchange ideas.
"The past is not gone, and the future isn’t non-existent; the past, the future, and present are all existing [now] in exactly the same way." Max Tegmark
Original music and sound design for the new McLaren 650s GT3 launch film.
"Following its unveil at the 2014 Goodwood Festival of Speed, here’s your first look at the McLaren 650S GT3 in action. Catch it if you can."
Score / Sound design / Mix - Zelig Sound
Agency - VCCP Blue
Agency Producer - Carly Owen
Art Director - Rachel Robinson
Copywriter - Stephania Silveira
When the IVCA approached us to create the opening titles for the IVCA Awards 2012, we jumped at the chance.
We saw this as an opportunity to break away from conventional award openers. Inspired by the new and refreshed IVCA award categories, the concept was to connect analogue crafts associated with traditional film and video and present them visually in a more modern and digital way.
This was done using a blend of 2D and 3D animation with real life objects (which were shot in a studio) composited into frame. The final touch was to use simple typography that introduced each award category within the scene.
A Jack Morton Worldwide Production.
Animation and Picture Editing
Antibody Creative Director
Wired Video Editor
Wired Creative Director
More info: csismn.com/SYN-Phon
Graphical notation and composition by Candas Sisman
Barabás Lőrinc: Trumpet
Ölveti Mátyás: Cello
Candas Sisman: Electronics and Objects
Budapest Art Factory (BAF) is pleased to present to you SYN-Phon; sound performance based on graphical notation by Candaş Şişman featuring Barabás Lőrinc & Ölveti Mátyás. Candaş Şişman resided at BAF for the month of June as part of its cross-cultural fertilization residency program. SYN-Phon will be exhibited to act, as a visual linguistic delivery through a cogitation segment followed by the sound performance on June 29th.
Coming about to understand the human nature of comprehending linguistics is that of a complex take –on. The constituent elements of language, in general content, bring forward the theory of other minds sharing, with intentioned communication.
Thought varies with the use and absence of language that comes to be found in line with the development of thinking and impulses from our daily surrounding. Eventually language creates our point of view just as much as our ideas and perception of matters, individualistically.
Art plays a crucial role in demolishing the boarders of our comprehension our mindset is framed into by literate language. Human language serves as a rather conservative form of communication when comparison to musical language; where the freedom of space employs as a resort for that broad horizon of that, that in search of cutting-edge form of broadcast.
Candas’s trials of combing various forms don’t necessarily imply the mere creation of a pioneering flash but rather the use of the endless possibilities in associating the known and unknown. Through the unknown, we come about with a new way of thinking that tries to substitute and make space for a new tool of self-expression. Conclusively the graphical notation gives liberate opportunity in creating one’s personal language that holds its basis on feeling the visual and sound in parallel.
Phonation, in accordance to Candas is the presence of sound language in SYN- Phon where the structure is supported by the synthesis itself. Music in its myriad forms extends to exploiting a communicative human language, thereby making the conceptual idea much more of significant importance than the actual tool. For Candas the presence of music in positively charged negatives spaces is a key element for substitution of the unknown seeking to be expressed. By the happening of SYN-Phon the line of musician will be crossed into a rather freely inflicted composer. Lőrinc and Mátyás as the musical inputs , on trumpet and cello respectively, of the performance will attain free expression
rightfully to the impulses in line of creating a new language.
SYN-Phon sound performance will demonstrate an articulation based on Candas’s intimate collective findings of Budapest during the month of June. Buda and Pest in the separate geographical allocation hold different quintessence natures, in addition to the anecdote of recent flooding events of Duna the performance is meant to reach out to the audience as a sensual expressive language. The sound performance will include sounds, constructed and picked up in Budapest recorded by Candas himself.
The whole bulk graphical notation will be available in print form to be part of the introductory assimilation.
Original music & sound design work from ZELIG SOUND // 2014.
1. ORA - GMUNK
2. 360º Project Krump - Ryan Enn Hughes
3. PTEROIS - Neekoe
4. Philip Stein - Guy Soulsby / FOUND
5. Smashhits / Fireball to Nail Varnish - Marco Ammannati & Nicholas Bentley
6. The Crew - SPOV
7. Sony TV Promo - FOUND
8. HBO Chinese NY - Mirari TV
9. Jaguar F-TYPE R - Gevorg Karensky
10. Kiss TV Brand - Weareseventeen
11. Hyundai Geneva Launch - Smoke & Mirrors
12. UEFA Champions Film 2014 - Designwerk
13. TZ Reel - Tony Zagoraios
14. Narcopolis - Justin Trefgarne
15. Kiss TV Brand - Weareseventeen
16. Hyundai Geneva Launch - Smoke & Mirrors
17. Zelig / IMAGINATION - Yugen Blake & Nick Hill
18. 360º Project Ballet - Ryan Enn Hughes
19. Narcopolis - Justin Trefgarne
20. The Crew - SPOV
21. RTE Channel Brand - Art & Graft
22. GTA: RISE - Gevorg Karensky
23. Mackmyra, Vit Hund - Fredrik Ekholm & Josue Motta
24. Pausefest 12 - Benjamin Ang
25. Jaguar F-TYPE R - Gevorg Karensky
26. Official Charts Company - 4music
27. FE Ident - Fredrick Ekholm
28. HBO Asia Rebrand / Sand - Mirari TV
29. McVities Quirks - Publicis
30. Sony Vita Cliff Diving - MI / Sony
31. Bass Awards - Nomint
32. Mitre - Paul Clements
33. Jaguar F-TYPE R - Gevorg Karensky
34. Smashhits / Water to Foil Balloon - Marco Ammannati & Nicholas Bentley
35. Heston Blumenthal, Sweetshop - The Neighbourhood
36. Jesse J - Emil Nava
37. Narcopolis - Justin Trefgarne
38. Eurosport - Austen Humphries
39. Controller - Saman Keshavarz
40. Natgeo Blackout - Stephen Schuster
41. “Sports Tech Co.” - SPOV
42. American Heart Association Film - Taylor James
43. Glenlivet - Future Deluxe
44. Panzer General - Kazoo
45. COD - SPOV
46. Smashhits / Iceberg to Jelly - Marco Ammannati & Nicholas Bentley
47. Black Ocean - Future Deluxe
48. 34th America’s Cup - Designwerk / Smoke & Mirrors
49. BBC Diwali 1 - Weareseventeen
50. Audi - Gevorg Karensky
51. BBC Diwali 2 - Weareseventeen
52. HBO Asia Rebrand One - Mirari TV
53. Audi - Gevorg Karensky
54. HBO Christmas - Mirari TV
55. BBC Diwali 3 - Weareseventeen
56. NASCAR The Game - MI
57. Kiss TV Rebrand Hip Hop - Weareseventeen
58. Black Ocean Incubation - Future Deluxe
59. Taiwan Excellence 2014 IDENT : WORLD LAB - +AKITIPE STUDIOS
60. Controller - Saman Keshavarz
61. Narcopolis - Justin Trefgarne
62. Jack Ryan Trailer - Territory
63. Nike Sneakerboots - Plus One
64. One Free From Famine - Future Deluxe
65. Intel Xmas- PostPanic
66. Adidas - RocknRoller
67. Lacoste - Elmö
68. Georgia Tech Architecture - Ryan Tyler Martinez
69. Pause Fest 14 - Nejc Polovšak
70. WILKO: Keeping Up With The Rodgers - Zak Emerson / TBWA
71. Intel Look Inside - Meteorite
72. Narcopolis - Justin Trefgarne
73. Adidas ZX Flux - Future Deluxe
74. McLaren 650 GT3 - Joel Harmsworth / Sweatshop (coming soon ;) )
74. Adidas ZX Flux Blue - Future Deluxe
75. Jaguar F-TYPE R - Gevorg Karensky
76. Distraction - Stephen Schuster
77. HBO Asia Rebrand Ident 3 - Mirari TV
4Music, Accenture, Activision, Adidas, Aedos, America’s Cup World Series, Astra Zeneca, Audi, BAFTA, BBC, BBH, Black Oceon, C&A, Carevisions, Castrol, Channel 4, Chivas Regal, Chopin Museum, Warsaw, Glenlivet, HBO, Hertel, Hyundai, Imperial War Museum, Interbrand, ITF, Jaguar, Jewish Museum London, Jessie J, Johnnie Walker, Kerrang Channel, Kiss Channel, Kix TV / Pop TV, McLaren Motor Company, Mackmyra, Microsoft, Mount Franklin, MTV, NASCAR, Nickelodeon, One Charity, ORA, Publicis, Puma, Quirks, RTE, Saucy Fish, SBK, Scalpel, Showcase Cinema, Smashhits, Sony Playstation, Sony Vita, Spectrum, Temenos, Three Mobile, The Clothes Show, The Museum Of Manchester, Tote Sport, Ubisoft, VH1, Virgin, Virgin Atlantic, Vodafone, VCCP, WCRS, WILKO, Wrigley’s.
My thesis, the experimental animation „Citius, Altius, Fortius“ (Latin for „Faster, Higher, Stronger“- the Olympic motto) explores the interplay of abstract shapes and motions.
How can the substance of motion be visualized. What degree of abstraction allows a communication with the viewer.
Therefor movements of famous Olympians where digitalised into 3D through motion tracking and rotoscoping of original footage of Olympic competitions. Camera motions and playback speed of the footage were borrowed and the movements of the athletes were recreated frame by frame.
The specific character of each sport is reflected in the visual language and the illustration of its motions.
Music by Kreng (humanworkshop.com)
Australian artist Andy Thomas specializes in creating ‘audio life forms’: beautiful abstract shapes that react to sounds. In this animated short, he visualizes two recorded bird sounds from the archives of the Netherlands Institute for Sound and Vision [beeldengeluid.nl] in Hilversum.
An increasing amount of sounds and images from European archives, museums and libraries are available for creative re-use. For the Europeana Creative Challenge, we’re looking for innovative projects that use archival material available via Europeana (europeana.eu) in a creative way. Send in your own idea to create, for example, a mash-up, an app or a game at ecreativechallenges2014.istart…. The winner will be aided by specialized professionals in realizing their project.
The deadline for submissions is August 28, 2014.