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The blog of from the people at Zelig Sound. Music and sound related things, and other stuff

Shit Showreels Say from Peter Quinn on Vimeo.

I love showreels, and make sure to watch a few every morning with my first coffee. Noticing my own reel was insanely out-of-date got me thinking about reels in general. Here are a few of the obvious 2D and 3D showreel tropes I could think of (and am guilty of, too) mashed together into one almighty anti-showreel!
Enjoy & share - cheers guys!

Project files available here: peterqu.in/shit-showreels-say

peterqu.in / twitter.com/_peterquinn_

Adidas ZX Flux (Snake) from Zelig Sound: Composition & Sound on Vimeo.

Precise post-dub track with minimal electronic / organic sound design. Cutting and moving precisely with the shoe and texture.

Sound Design: Zelig Sound
Visuals: Future Deluxe
Adidas ZX Flux reveal video.

LLAPSE from Julien Vanhoenacker on Vimeo.

"A visual metaphor of the positive and negative aspects of humanity, and its path on Earth."

Official website: llapse.net
Facebook: facebook.com/llapse
Contact: contact@llapse.net

Story:

“This is the way the world ends
Not with a bang but a whimper.” - TS ELLIOTT

Transience reflects the condition of every being in the universe seen through a sensitive, intellectual or even felt experience.
Even further, what humanity can’t describe, touch or identify is also linked to the same vanishing flow.
As big can be atoms or minuscule the stars, it’s all about sequences, pace, sudden apparitions or slow decay.
Humanity seems to have a unique potential in this constant struggle between life and entropy.
Whether our aptitudes help us prevail and evolve or instead accelerates our doom we have yet to decide.
That hesitation would come to an end with self-annihilation, but an end may just be a transition, a transformation.

Process:

Structured in a pseudo-timeline, the film is visually bringing a balance of positive and negative aspects in humanity. Slow or fast paced scenes, soft nature or hard concrete environments are shown as global human experience.
Initially a personal practice to bring mental concepts to life, this movie is achieved by two individuals, Julien Vanhoenacker as writer/director/VFX artist and Nicolas Vitte as music composer.
A great deal of computing power is needed to generate CGI images and the availability of the renderfarm of The Post Bangkok is a chance that allows this film to exist.
Creating these visual metaphors is a lengthy process spanning over many months. This allows ideas to be refined and become stronger in time, but also requires organisation, endurance and perfectionism, as well as the ability to stay focused on the initial intention.

Credits:

Writing / Direction:
JULIEN VANHOENACKER

CGI / VFX:
JULIEN VANHOENACKER

Music:
NICOLAS VITTE

Production / Renderfarm:
THE POST BANGKOK

Thanks:
YA CHUNG TENG
GABRIEL MAYMON
MOONTIARA SANPHECHUDA
PICHAYA POPANYASAK
APIWAT SRIMONGKOLKUL

Jaguar Live Fearless, Jose Mourinho from Zelig Sound: Composition & Sound on Vimeo.

A visceral cinematic sound design piece for the Jaguar F-Type R Coupe.

Sound Design: Zelig Sound twitter.com/zeligsound
Visual: Big Balls twitter.com/bigballs_films

FMK / Launch Film from Matthew Wilcock on Vimeo.

FLOATING METAL KEY
OUT NOW / EVERYWHERE
Itunes: itunes.apple.com/gb/album/floating-metal-key/id804050579!
Play: goo.gl/RUVxDx!
Spotify: open.spotify.com/album/7HQH2pjwC5a3Kuk6IFsVXt!

matthewwilcock.com
twitter.com/matthewwilcock

"FMK Film, an assembly of seven concentrated film snippets that deconstruct and expand the logic, beauty and anguish trapped within each track of the 7 tracks on Matthew Wilcock’s debut EP, FMK / Floating Metal Key."

Directed By
Dan Kokotajlo / dankokotajlo.com / twitter.com/DanPKoko

Concept
Dan Kokotajlo
Matthew Wilcock

Art Direction Concept
Tony Zagoraios / twitter.com/TonyZagoraios


Scene One / FMK

CGI/VFX
ENER TV / enertv.com
Patryk “Ener” Enerlich
Adrian “Koza” Kozanecki
Composite
+AKITYPE STUDIOS / ENER TV
Roto
Samuel Stephenson


Scene Two / Brittle Metal Press

RARE BREEDS / rarebreeds.tv/
2D Comp / Motion
Samuel Stephenson


Scene Three / Tokyo Shibuya + Aida Makoto

+AKITYPE STUDIOS / akitipe.com/
CG, Art Direction, VFX Supervisor
Sawoozer Wang

CG
Lance Ni
Juin Chang
Sylvia Chen
Jyouanmi Chen
Ric Hung
Tom Yi


Scene Four / Space Pedal Pace

Art Direction, Motion Graphics, 3D.
Nico ‘Neekoe’ Bolacha / neekoe.com/


Scene Five / Battery Snap

3D, VFX, Art Direction.
Nick Hill / nikill.tumblr.com/

Design, Motion Graphics
Ryan Rafferty-Phelan / twitter.com/ryanrphelan


Scene Six / As I Lay Dying

+AKITPE STUDIOS
CG, Art Direction, VFX Supervisor
Sawoozer Wang

CG
Lance Ni
Juin Chang
Sylvia Chen
Jyouanmi Chen
Ric Hung
Tom Yi


Scene Seven / Bent Dead

3D, VFX, Art Direction.
Nick Hill
ENER TV
Patryk “Ener” Enerlich
Adrian “Koza” Kozanecki


Graphics
Ric Hung
Tom Yi

/ 13 Studio / 13-studio.net
Graphics
Walt Wang

Additional 3D
Patrick R. Gschwind everydayswiss.com
Costas Fatsis

Concept Composite
Candyshop VFX

Thanks To
Nejc Polovšak / twistedpoly.com/
Kate Mulcahy
Rich Nosworthy / generatormotion.com/

Penicillin Films 2014

Dvořák - Symphony No. 9 Allegro con fuoco (Official Music Video) from B-Classic Festival on Vimeo.

classicalcomeback.com

B-Classic presents The Classical Comeback: a new music video format that gives classical music the same recognition as pop and rock music by combining the timeless emotion of classical music with the visual talent of a contemporary director.

Follow this project on: classicalcomeback.com

Directed by Raf Reyntjens
Choreography by Ari & Miu (Waveya)

Music:
Dvorak - Symphony NO 9 in E-Minor
From the new world - Smetana The Moldau
IV Allegro con fuoco.
Herbert Von Karajan & Wiener Philharmoniker
Deutsche Grammophone - Universal Music

Sponsors:
asap.be/Startpagina.html
limburg.be/cultuur
klassiek.cultuurplatform.be/

Adidas ZX Flux (Yellow) from Zelig Sound: Composition & Sound on Vimeo.

Sound Design: Zelig Sound
Visuals: Future Deluxe

Adidas ZX Flux reveal video.

Birds from ZEITGUISED on Vimeo.

A lighthearted essay on contextualized characters.
Reconstruction follows deconstruction.

Concept, Art Direction, Design, Animation, Production: Zeitguised
with Matt Frodsham, Chris Hoffmann and Katha Niedermeijer
Lead Animation: Matt Frodsham
Music: Marian Pramberger with Matt Frodsham

Tool teaser 2014 from komba on Vimeo.

log line:
Year 2347. The source of life has been stolen from Earth. Faithful federal agent is trying to take mission of saving life on Earth under control, when he discovers that colonel that’s leading the operation wants to destroy the most part of humanity.

All the content I made myself . Approximately 4 months of pure time that has stretched for a year.
vimeo.com/91790503 making of…

For more information please visit my site thetoolmovie.com/

kombafx@gmail.com

Wilko 60’ TVC: Keeping Up With The Rodgers from Zelig Sound: Composition & Sound on Vimeo.

We were delighted to score the first ever Wilko TV commercial. Working closely with Zak Emerson and the TBWA team we produced a score to push and underpin the epic sea-going pirate pillage. Huge hits, choirs, dirty low brass and bass.

Score Composed by: Aleah Morrison & Matthew Wilcock twitter.com/matthewwilcock
Produced / mixed by: Matthew Wilcock at Zelig Sound
Sound Design / Dub: Zelig Sound / twitter.com/zeligsound

Clients: Lisa Wilkinson, Fiona Gunn, Freda Cronk, Barry Underdown, Maria Tamburrini.
Writer: Zoe Harris
Art director: Ant Harris
Joint executive creative directors: Gary Fawcett & Lisa Nichols
Account director: Mark Bostock
Account manager: Emma Cochrane
Planner: Lorna Hawtin
Agency TV producer: Lou Vasey
Director: Zak Emerson
Producer: Ewen Brown
Production company: Blink
Post-production: Dan Sanders MPC
Editor: Joe Guest @ Final Cut

Wilko 60’ TVC: Keeping Up With The Rodgers from Zelig Sound: Composition & Sound on Vimeo.

We were delighted to score the first ever Wilko TV commercial. Working closely with Zak Emerson and the TBWA team we produced a score to push and underpin the epic sea-going pirate pillage. Huge hits, choirs, dirty low brass and bass.

Score Composed by: Aleah Morrison & Matthew Wilcock twitter.com/matthewwilcock
Produced / mixed by: Matthew Wilcock at Zelig Sound
Sound Design / Dub: Zelig Sound / twitter.com/zeligsound

Clients: Lisa Wilkinson, Fiona Gunn, Freda Cronk, Barry Underdown, Maria Tamburrini.
Writer: Zoe Harris
Art director: Ant Harris
Joint executive creative directors: Gary Fawcett & Lisa Nichols
Account director: Mark Bostock
Account manager: Emma Cochrane
Planner: Lorna Hawtin
Agency TV producer: Lou Vasey
Director: Zak Emerson
Producer: Ewen Brown
Production company: Blink
Post-production: Dan Sanders MPC
Editor: Joe Guest @ Final Cut

DynaCart Testing Lab from rich nosworthy on Vimeo.

Short experiment with the buggy testing center, all driven by cinema4d dynamics. Sound design by Sonosanctus

Full track can be found here thebuffalo.bandcamp.com/album/iris-daybreak

generatormotion.com
sono-sanctus.com/